Animation Television

Kipo and the Age of Wonderbeast season 2

Recently I had just watched the entire second season of Kipo and the age of Wonderbeast and I just want to say that I loved it! I don’t think that I talked about KATAOW here before but it’s a show that quickly becoming one of my favorites!

Season one was a lot of fun, we got to explore the world of KATAOW, seeing how the world had changed over the past 200 years, learning about all of different animals societies and how they interacted and viewed humans. I loved seeing how things had developed over time and each weird animal gang/society. Meeting two humans that live on the surface and how differently they view the surface world and the mutant animals, called “mutes”. It was a blast! I’m happy to say that I thoroughly enjoyed season two just as much!

Season two has a…much more focused than season one since we’re following the characters on their quest to rescue the humans that have been captured by the “big bad” named Scarlemange. We get to see Kipo, our main protagonist, and her father interact more, we learn more about Wolf’s backstory, (which makes me want to learn about Benson) and meet an entirely new faction of humans.

Watching the bond continue to grow between our main characters, Kipo, Benson, Wolf, Dave, and Mandu was so much fun! Watching them bounce off of each other and helping Kipo learn more about herself and her mutant powers.

Kipo’s relationship with Wolf got some nice development, them simply growing closer with their bond. Kipo also had a very interesting and fun relationship with Scarlemange and even tries to get him to change his heart. Watching together is so much fun and it’s great seeing how their story plays out is amazing! Learning more about Kipo’s family drama and all of them coming together is amazing.

Kipo is such a fun and uplifting show and I highly recommend it for anyone who wants something fun to watch!

(also on my patreon)

Animation Something Quick

Happy She-Ra Eve!

In a few short hours, the final season of She-Ra and the Princesses of Power and I’m feeling anxious and excited. I don’t write a lot about it but I’ve loved this show from the very first season. I loved the writing, how it was telling its story, and the lessons it shows through its character’s actions. While I’m sure there are faults in SPOP you would have to really twist my to get them out of me. I’m sure one can find a ton of meta written about the show or other videos on it that look at it in a more critical way but my own love for the show is so strong that I tend to simply talk about all of the stuff that I like and how it affects me.

I can’t wait until we find out how this story ends, what happens with all of the characters, and if there are any new characters and everything else.

There are so many questions that I have and I have a lot of faith and trust in the crew of SPOP so, while my anxiety is spiking (mostly simply because I’m excited) I’m not worried that the show will end in a way that I find unsatisfactory.

My journey with SPOP has been a lot of fun and a great ride and though it’ll soon be over I’m so so glad that I got to experience it.

(This post is also on my Patreon)

Animation Movies Something Quick

A Few Random Thoughts About Trolls World Tour


A bit ago I sat down to watch Trolls World Tour and I really really loved it. I really enjoyed the story the movie was telling, I loved Barb and her relationship with her dad, King Thrash, and Riff. I love meeting Prince D, Queen Essence, and King Quincy. Watching Poppy and Branch through the film was so much fun as well!

I could talk about the animation as well. The world looks so amazing with all the details. The desert was made of golden glitter and rode Branch, Poppy, and Biggie walked on was knitted or quilted or something. It looked amazing! I’m still blown away by what I watched.

I did like the music of the first music and the Holiday special more than the music here, but the music here wasn’t bad. I feel like the movie needed to be longer in order to give all the music genres more time to shine, but I did like what I heard.

The main thing I really liked about this movie was that Poppy and Barb are kind of like mirrors to each other. Throughout most of the movie, Poppy kept saying that “it didn’t matter that they were different” and that “they were all trolls”. This comes off as naive like Poppy doesn’t think through the implications of that line of thinking.  It’s even showcased when she says “oooh, they must not know music is supposed to make you happy…” when she stumbles into the country tolls lands.

It comes off to me like a privileged white girl traveling to an “uncivilized” part of the world and condescendingly talking to the people who live there. It usually not meant in an actively malicious manner, but it’s still a terrible thing to say.

Poppy, in the beginning, wanted to smooth over everyone’s differences. Queen Barb wanted to control everyone, believing that once everyone was under her control and interested in the same music that things would be better. Its interesting to see how similar and different the two are.

Branch doesn’t get much to do this time around. I think they could have pushed the “Poppy doesn’t listen” a bit more, but I love Branch so I do like seeing him around and bounce off the new characters.

Trolls World Tour was a fun movie and I think kids will like it a lot. I’m not sure about adults or older kids, but for myself, it was worth the $20, I know some people don’t like that price, but I think it’s fair.

Just some random thoughts.


Maniac the Album by Halsey

On January 17 Halsey’s new album, Maniac, released and I’ve listened to it a bunch of different times by this point. Of the three albums she’s released I think this is my favorite overall album. There are individual songs on the other two albums that I may enjoy more, but as a whole Maniac comes out on top for me.

The album starts with the song titled Ashley, named after Halsey herself (for those who don’t know Ashley is Halsey’s real name) and I find it to be a contemplative song. It’s a little sad in a sense, listening to some of the lyrics it doesn’t sound like she’s fully happy doing what she’s doing. With lines like: 

But it seems I’m only clingin’ to an idea now

Took my heart and sold it out to a vision that I wrote myself

There seems to be an acknowledgment of the performance that she may be stuck in. That performance, of course, being the persona of Halsey herself. This opening song really does feel like a kind of introduction to Ashley, the person being the Halsey persona. This is also referenced on the album cover with the code H3, for Halsey’s third album, and the code A01 for Ashley’s first album.

I don’t want it to sound like I think Halsey is miserable in her career. But this isn’t a song of joy. In the Spoitfy storyline feature, the song is called a “…an introduction but it’s also a cautious goodbye.” which I think definitely comes through. The chorus and the second verse of the song really bring that feeling home for me with references to burning into flames and leaving dust behind, being committed to a ghost town, and not being strong enough to carry the weight of previous choices really bring that feeling home.

The quote Halsey left with Apple Music really sums it up:

“Starting the album with my real name is a comfortable entry point for people, like saying, ‘Hey, I’m still here, but I’m going to take you down on a different journey right now.’ A lot of this album was written as I became more aware of my mortality. Sometimes I’m on top of the world and I’ve never felt better in my life. Other days I’m like, ‘If I keep doing this, I’m going to die.’ This song is an introduction and a warning: It’s saying, ‘Here’s this album that I had to cut myself open to make, and will continue to cut myself open to tour, promote, and explain, but I don’t know how many more of these you’re going to get.’”

The song ends with an audio clip from Eternal Sunshine of the Spotless Mind, one of Halsey’s favorites. The clip is spoken by the character Clementine and I really like this as not only an ending to the song but also a lead in to the next song on the album. It feels like a kind of message to us.

~ x ~

The next song on the album is clementine and I also find this to be a sad song and feels like it’s still connected to the ideas in Ashley. This song had been released before the whole album was out so I’ve been listening to this particular song for a lot longer than other songs from this album, but in context, I get a completely different message from it.

In the context of, the album the opening two lines not only reference Halsey’s bipolar disorder (Halsey has stated that she wrote this album she was in a manic state), but also the Halsey persona she’s made for herself:

And in my world, the people on the street don’t know my name

In my world, I’m seven feet tall

The next few lines of the first verse also made me think it was a reference to her disorder, but mostly because I deal with an anxiety disorder and a mood disorder (there’s a history of bipolar disorder in my family though I am not diagnosed) so the lines:

Because in my world, I’m constantly, constantly havin’ a

breakthrough (Hmm)

Or a breakdown, or a blackout

Really hit me because I know it can feel like amazing things are happening one minute and then the next minute everything is too much and you think you’re going to break.

The chorus of this song, especially the third time it plays, really hits on something deep inside of me that I’m not self-aware enough yet to fully articulate, but it resonates deep in my chest. The third time it plays with the second set of vocals that are basically yelling really makes it work. Like the song had been building to that kind of outburst even though it’s still in the background.

I honestly think about this song a lot, it feels very personal to me specifically even though…it’s obviously not. But it’s another amazing outing.

There are probably more connections to the movie Eternal Sunshine of the Spotless Mind and the character the song shares a name with but I’m not very familiar with that movie so I can’t speak more on it, though I’m sure information is out there.

~ x ~

The third song, Graveyard, is a shift from the first two. This song’s subject matter isn’t happy, not by a long shot, but the music makes me bob my head more than the other two did. I guess I would call it upbeat, in a sense.

But the song is about loving someone who is no good for you and following them to their dark places. Though with the use of the word “woulda” makes it seem like it’s about fighting that urge. The bridge: 

Oh, it’s funny 

The warning signs can feel like their 

That sentiment is a real gut punch and having it before the final chorus helps the song leave a strong impression.

I don’t personally have to say but this tumblr user’s analysis of the music video is really nice so I’ll share that as well. Link.

~ x ~

The next song is You should be sad and it’s a country song! A break-up country song. I haven’t listened to much modern country music but I really like the beat on this one. I don’t find the music as…upbeat as I found Graveyard but it also makes me bob my head in time with the music.

The lyrics of this song are really, really good. It’s biting and sharp, taking jabs at an ex-lover (I tend to not pay too much attention to celebrity relationships so I can’t say who this song is aimed at, but I’m sure you can find out if you’re really curious) and venting out a lot of frustrations. The first verse sets up the tone of the song well:

I wanna start this out and say

I gotta get it off my chest (my chest)

Got no anger, got no malice

Just a little bit of regret (regret)

Know nobody else will tell you

So there’s some things I gotta say

Gonna jot it down and then get it out

And then I’ll be on my way

Like whoever this song is about this will be the last time she’s going to focus her time and energy on them. The line in the pre-chorus:

I’m so glad I never ever had a baby with you

It was a real gut punch when I first heard it since I do know that Halsey has had a miscarriage in the past. I was like “wow, she really went there”. I know that she’s mentioned in a tweet that the like was supposed to come off as facetious but it doesn’t come off that way to me. I think it’s because everything else in the song is so biting that I personally can’t find it humorous, but I can understand the intent.

The outro where she says the title of the song felt like a nice comedown after the song. It felt like a kind of catharsis; all of the emotions have been released and now it’s time to move on to something else.

~ X ~

Forever… (is a long time) is the fifth song on the album and I’m not too sure how I feel about it, even after a week.  I think it’s the long musical interlude. I don’t know what it is about it the musical interlude but it leaves me kind of floating. I think it’s because I simply don’t listen to a lot of music with no lyrics to accompany it. 

The beginning of the song comes off as kind of contemplative and sweet. Mentioning watering a plastic plant which is a reference about trying to nurture something that won’t grow or change is a nice line and the next bit about covering honesty with sarcasm really hit me. I think it’s something a lot of people can relate to especially at the beginning of a new relationship. Halsey said this about the song to Apple Music:

“On this song, I’m falling in love. The instrumental is major, all these beautiful twinkling tones and birds are singing, everything’s sweet, it’s Cinderella. And then I start getting in my own head.”

The end of the song to be really really effective. It switches from major to minor and the lyrics sound like she’s having a kind of break down with its static sounds. It works really well and leaves me holding my breath. It really does feel like something bad is just around the corner.

~ x ~

Dominic’s Interlude is the first interlude on the album. Halsey has said that this song represents brotherly love. I know if that means it’s about actual love from a brother or brotherly love in the sense of friendships but I like this interlude. It’s nice and short and I feel that it’s direct, this is directed to Halsey (or at the very least the narrator of the album if you want to claim those things are different). I don’t have a lot to say about this one honestly but it’s good.

~ x ~

The next song is titled I HATE EVERYBODY. The music of this song is fun but the lyrics come off as defensive. There’s something about how the chorus starts with:

So I’ll just hate everybody

That pushes the idea that it’s just a kind of temper tantrum. It’s cool. The opening verses are my personal favorite in the whole song. It felt so relatable like I’ve been in that exact mind frame before, blaming my ability to understand someone else’s feelings (look at me empathizing with this song) for getting myself into certain situations or even developing some kind of feelings for them. The next two lines were nice too. It invokes a kind of…dragon. I know that might sound kind of weird but the two lyrics together make think of a selfish dragon, wrapped around something precious that they don’t want to lose.

I’m my own biggest enemy

Yeah, all my empathy’s a disaster

Feeling something like a scaly thing

Wrapped too tightly round my own master

The second verse is interesting to me because it comes off like a realization about a relationship that wasn’t really built on anything. Or at least it’s not mutual. There’s mentions of exaggeration and memories that perhaps don’t exist. The bridge before the final chorus really brings the song home for me.

If I could make you love me 

Maybe you could make me love me

And if I can’t make you love me 

Then I’ll just hate everybody

And that really just says everything doesn’t it?

~ x ~

The next song on the album is titled 3am and this song is the aftermath of the previous song (as stated by Halsey herself) and I love it. It’s about being drunk and calling almost everyone on their phone for some kind of validation. The music of this song does make it sound kind of desperate.

The kind of self-awareness is present here as well. Like you know you’re messing up and falling into unhealthy patterns but you can’t really help it. The first verse has:

My self-preservation and all of my reservations

Are sitting and contemplating what to do with me, do with me

Think I took it way too far

And I’m stumbling drunk, getting in a car

My insecurities are hurting me

Someone please come and flirt with me

The second verse has:

I’m the worst of my enemies

And I don’t really know what to do with me

Yeah, I don’t really know what to do with me

This is such a good set of lines. The kind of personification of ‘self-preservation’, ‘reservations’ just looking down at you and shaking their heads cause they’re at a kind of loss. Insecurity hurting is pretty universal I think the following line begging for some kind of positive interaction, something to prove that you’re desirable. And the second verse about being terrible for yourself is such a strong image.

I find the bridge of this song to be pretty interesting as well. It seems like trying on different personalities with different people and seeing which one gets the best reaction. That’s the feeling I get from it. I’m not too sure what the last lines of the chorus mean. I think it could be referencing that that kind of digital validation is…safer in a sense.

The song ends with a recording of a message from John Mayer giving that digital validation. I think he’s talking about the next song on the album, Without Me; a song I really don’t have a lot to say about it though I do enjoy it a lot. 

~ x ~

The next song I’ll talk about is Finally // beautiful stranger and I find this song bittersweet. That’s because I know that this song is about Halsey’s ex YUNGBLUD and this song is about her falling for him and their first meeting.

Still, this song is so sweet. The music of this song is relaxed. When Halsey sings that it’s safe for her to fall it feels like that because of the music. You can just lay down and relax to this song. All the lyrics are very on point, conveying tentative steps towards a new relationship and hoping that it’ll be good.

The chorus references past relationships that didn’t turn out too well:

Beautiful stranger, here you are in my arms and I know

That beautiful strangers only come along to do me wrong

But this is ultimately a positive song about falling for someone. Even though in hindsight it’s a bit bittersweet for me to listen to.

~ x ~

So, Alanis’ Interlude huh? I don’t know anything about Alanis Morissette but Halsey really likes her (she had a big impact on her). This song is about Halsey’s sexuality…or at least it a giant reference to it. Since all the interludes are about different types of love this one is definitely about sexual love. I mean, with lines like: 

‘Cause your pussy is a wonderland

It’s pretty explicit. I like the mention of biting nails down so they don’t scratch the other person. I also really like the post-chorus of this interlude. It feels like an expression of bisexuality’s fluidity and the word choice bounces pleasantly. 

~ x~

killing boys is a short song and this one sounds like it’s about frustrations. It starts off with a snippet from the movie Jennifer’s Body (a deleted scene) that started Amanda Seyfried and Megan Fox. Looking at the intro and then the lyrics of the song I think having both of these characters’ dialogue sort of set up the song. Megan Fox’s lines line up with a kind of anger while Seyfried’s lines are about letting go.

In context of the song anyway.

Both verses are about going to the guy’s house and breaking in or destroying his property in anger and revenge. There’s a reference to Uma Thurman and I think it’s about how she starred in the Kill Bill movies, where the goal is the title. But that reference to Uma Thurman is about her stopping herself from causing more harm. It’s a nice touch. 

I also like that the song ends with the line

And I don’t need you

It’s a nice bit of finality to the song.

~ x ~

So now I’m at SUGA’s Interlude and I’m kinda stuck, only because I haven’t looked up a translation of the song. While I find the music of this piece contemplative since I don’t know what SUGA is conveying in a majority of his sections of the song. 

So I went to google translate to try and figure it out. Looking at Halsey’s part of the song I think it’s about her being a popstar (having it all) and not being a songwriter (giving it up), plus there are the lines about not knowing what will happen if she falls out of love with singing.

Reading the google translated lyrics from SUGA I get a similar message, there’s self-loathing, keeping faith in yourself. But google translate isn’t the best and I feel like I’m missing some kind of meaning with how google translated the lyrics.

~ x ~

The next song is More and it’s a song about longing. I’m pretty sure this song is about the fact that Halsey wants to have a baby and be a mother at some point. I believe there are references to her medical issues that make having a baby difficult and the fact that she’s had a miscarriage in the past. 

This song is very sad and all of the lyrics feel so intensely personal. I always feel like I’m about to start crying when I listen to this song. I’ll simply leave the quote from Apple Music:

“I’ve been really open about my struggles with reproductive health, about wanting to freeze my eggs and having endometriosis and things like that. For a long time, I didn’t think that having a family was something I was going to be able to do, and it’s very, very important to me. Then one day my OB-GYN tells me it’s looking like I maybe can, and I was so moved. It felt like this ascension into a different kind of womanhood. All of a sudden, everything is different. I’m not going to go tour myself to death because I have nothing else to do and I’m overcompensating for not being able to have this other thing that I really want. Now, I have a choice. I’ve never had a choice before. Lido [the producer Peder Losnegård] and I built the fading instrumental at the end of the song to sound like a sonogram like you were hearing the sounds from inside a womb. It’s one of the most special songs I’ve ever made.”

~ x ~

I don’t have a lot to say about Still Learning other than that I find it effective and a well put together song. I think that’s because it’s something a lot of people will still struggle with, loving themselves. Things might seem good on the outside but everyone is going through their own struggles.

~ x ~

The last song on the album is title 929 a reference to her birthday. This song feels like a ramble like she’s just talking about whatever comes into her head at that very moment. It’s rambling, bouncing from place to place, talking about her family, failed relationships, breaking an addiction, ect, ect. 

I like this approach for this song. It’s like…a come down from a lot of intense emotions from the album. Now things just come and go, they move through you and you keep moving forward because that’s life. You learn new things about yourself and you’re always growing.

~ x ~

Thank you for reading my thoughts on this album and the songs. Let me know what you thought of the album. If you found this interesting to read check out my patreon where I’ll be sharing thoughts of Halsey’s previous two albums and seeing how time has changed my feelings on them if at all.

Thank you!

Animation Television

She-Ra and the Princesses of Power Season 4

This contains Spoilers for the new season


Yesterday I binged the entire new season of She-Ra and I’m honestly still not over it. This season was dark. Not in a hopeless sense, there are moments of levity and hope for things, but the season had this tone over it that’s much darker than the previous seasons and I really enjoyed that.

This season, like the seasons before it, really shines with its character interactions. Getting more of the secondary princesses was great. I loved that we got to see more of Mermista’s dorky side and her with Sea Hawk is just golden. Seeing Perfuma in a new setting and watching her deal with that and bounce off different characters is lovely. Forsta didn’t get as much, but what we do see is still cute and funny.

But the real meat of this season was what was going on between Glimmer, Bow, Adora, Catra, Scorpia, and the new character, Double Trouble.

Glimmer is dealing with the death of her mother and she’s stuck in her grief. Glimmer wants to go out and continue fighting the horde, not simply staying behind like her mother had done. She’s learning magic from Shadow Weaver, growing more and more powerful (seriously, Glimmer kicks so much ass this season) but there is a kind of darkness growing inside her; she uses Adora as a decoy, at first without her knowing, and then starts going off on missions by herself without telling anyone else.

While she’s growing closer to Shadow Weaver and taking more of her advice she starts to lash out at people for not following her orders, not listening, and not trusting her. There is some meddling going on from other characters, but Glimmer’s feelings are still real. From her perspective, she’s lost her whole family, she’s so desperate to protect people and destroy the Horde that she pushes people away. And at one point she flat out blamed Adora for the “death” of her mother and shouts that at Adora in a heated argument. Then when she thinks that she has the power to stop the Horde she wants to use it despite the danger it could bring to the planet.

With all of that Adora does feel guilty about what happened to Angella and hearing Glimmer, in a sense, repeat something that Catra had said to her. That she was a terrible She-Ra, that all of the bad things that happened, happened because of her. It was messed up. Then going to see Madam Razz again and learning about Mara and more about the First Ones…Adora is essentially told that she is a key to a huge planetary weapon. Her worst fears could potentially come true, she could break and mess up the whole world and there could be nothing she could do about it. Though she tried which is why she fights soo hard against Glimmer to use the weapon.

Bow got to shine and flat out says that it’s hard to maintain relationships. You have to work at them, and that he gets tired of always being the “happy go lucky” guy, the one who’s always working at it. I know that this isn’t a lot but I feel like there’s so much depth in that line and idea. It’s so powerful, I loved it.

Double Trouble is a new character and I love them. They are a kind of theatre kid archetype and I can understand how some could find them grating but I certainly didn’t. What’s so interesting about them I think is their relationship with Catra (which I’ll get to soon) and how…transactional it is. This is the first character I think that’s really just in it for themself and money. The moments of joking around with Catra were great, but when Catra shows some vulnerability to them, Double Trouble is quick to remind her that all they do for the Horde is for a price, and once it looks like the Horde is gonna lose, they jump ship and give Catra a complete dressing down, which leaves her sad and broken. It was also fun watching Double Trouble sew seeds of discord throughout the rebellion, it was a lot of fun to watch everyone be so paranoid. I hope they come back so I can see more of them in action.

Now Catra. Catra, Catra, Catra. She was really at the bottom of the barrel this season. From all of the abandonment she’s been through, plus with her abusive background, she’s been craving power to try and make up for the fact that people keep abandoning her. She thought that winning would be what she wanted, that it would make her matter and make her important. But all it did was leave her more lonely and stressed out. She even managed to push away Scorpia, something she probably thought was impossible. Watching Catra continually make the wrong choices out of fear, anger, and hurt has been a rough road. Everything she did made sense to me as to why she did it, but I would still sit there and shake my head. Then at the end of everything she just gave up, Hordak found out about what she did to Entrapta so he tried to kill her, the rest of the Horde is in shambles, and Catra is just so, so tired.

But all of that was for the best I think. Now Catra is forced to choose to do something different. She will have to change, on some level, she’ll have to have some kind of positive growth. I could talk all day about Catra, but I’ll save that for another post.

She-Ra season 4 is amazing and while I only talked about a few things that made it so great in this post, please know that there’s so much more! If you’ve watched the season, let me know what you liked about it, or what you didn’t like about it. I’m curious to hear your thoughts.

Also on my Patreon

Miscellaneous Movies

Here’s a Ramble

So, I’ve been thinking about this since I’ve seen these movies but I’m ultimately having trouble coming up with a thesis statement so I’m just going to ramble about it for a bit and see if y’all find it interesting.

Recently I’ve seen the remake of Child’s Play and the remake of Jacob’s Ladder. I make have different feelings on them when I rewatch them but the main thing I took away from them was that they really took away the mystical elements that the original films had.

In Child’s Play, there’s no hollywood “voodoo” magic to have the soul transfer into a popular doll. Here it seems like…a disgruntled worker messed with the code and that’s what made the doll go crazy. In Jacob’s Ladder…well with all the mind-bending stuff going on it’s a bit difficult but the medical angle is really played up in this movie as opposed to the original movie. Of course these changes are, in a way, natural. Keeping all of the mystical elements would really just be doing what the originals did, but bringing these projects closer to…realism let’s say, really takes out any kind of punch the originals had.

Child’s Play did better than Jacob’s Ladder it seems, though I wonder if it’s brand recognition. I wonder if the people in charge are just too focused on being “modern” as in the case of Child’s Play, or if they just don’t think the mystical aspects are appealing, in the case of Jacob’s Ladder. I can’t say, but it does remind me of something I heard about a year or two ago: it’s hard to get moviegoers to abandon logic for movies to go on a kind of emotional journey (I think that it came from a Lindsey Ellis video, but I’ll have to double check) and while I watched these movies that’s what it felt like. Like the movies weren’t about an emotional journey. Jacob’s Ladder certainly was, and I felt that the original Child’s Play was on some level too.

I don’t know. It’s late where I am and my thoughts on these movies are still jumbled. I guess these will get my eyes again and then I’ll write something more concrete. We’ll see.

Miscellaneous Something Quick

She-Ra due back this Summer


Season 3 of She-Ra and the Princesses of Power is coming to Netflix August 2nd! AND Oscar-winning actress Geena Davis will be joining the voice cast as Huntara!

Tumblr, Twitter, Instagram

!!!! I’m so excited!

Book Comics

That Blue Sky Feeling vol. 1

Recently I finished reading the first volume of That Blue Sky Feeling (Sorairo Flutter in Japanese), written by Okura and drawn by Coma Hashii and I gotta say…I really enjoyed it!

It’s a sweet BL, Slice of Life, Drama where we see our main character, Noshiro Dai, build an adorable friendship with classmate Sanada Kou, who we quickly learn is gay.

The relationships in this volume were written very nicely. We see Sanada slowly open up to Noshiro in certain ways, though he’s still pretty closed off in other ways. Noshiro is a pretty honest guy, open and friendly, who seems to really care about Sanada and wants to do right by him. It’s a very soft kind of story, even the drama didn’t feel particularly angsty.

One thing I like is that there’s an older gay man named Hide, who is Sanada’s ex-boyfriend (and I can say a lot about how I personally feel with a 26 year old dating a 17 year old, or maybe younger but whatever), who helps both boys deal with their feelings.

While I find the art style clean and soft (like the rest of the story) I think there are times it looks kind of wonky and may not be everyone’s cup of tea, but overall Hashii’s art really helps bring the story to life in this volume. I especially like the body types of Noshiro and Hide (Sanada has a type) which breaks away from what I’m used to seeing in BL and its a welcomed change.

You can read That Blue Sky Feeling online but it has been licensed by Viz Media and I recommend buying the official release if you can. I consider it worth the purchase.

note: maybe unimportant to most but i refer to this story as BL because that’s how I’ve seen it listed (shounen ai) and i know there are people who get up in arms about separating BL, which is seen as primarily targeting (straight) women, Gay Manga/Bara which primarily targets gay/bi men, and like Yaoi, which is porn. But I don’t want split hairs.

Animation Television

She-Ra season 2 First Thoughts

The other night I finished the second season of She-Ra and the Princesses of Power and I’d like to share my thoughts with all of you!

First a quick background with how I felt about the first season. I loved it! I thought the story was fun and interesting and I like the interpretations of all of these characters. I used to watch the original series on…a channel called Qubo (I think) when I was back in school so I’ve been a fan of She-Ra for a while.

The first thing I’ll say is that I’m sad that its only 7 episodes, and the 7th episode doesn’t feel like a proper climax to the season so it makes me wonder if this is only half a season and season 2 has been broken into two parts. I don’t have any news sources that say either way but that’s what it feels like.

The character dynamics are still great, Scorpia and Catra are a really high light for me, closely tied for Entrapta and Hordak. The Best Friend Squad (Bow, Adora, and Glimmer) are still great and I get sad thinking about how we missed out on Entrapta and Bow being science buds.

Mermista, Sea Hawk, Perfuma, and Frosta don’t get much, but what they do get is nice. Plus we get some more horde interactions. So first thoughts is that I still love this show so, so much!

Those are my first thoughts! Stay tuned for more writings about this show once I have more time to digest things.

Thanks for reading!


BlackPink in your area!

Hey WordPress, I know it’s been a long time but I’ve been working on an essay I want to post here but in the meantime here’s a post talking about a KPop Girl Group that I’ve been a big fan of since I first discovered them.

Now, I’m really big into KPop, not really into music for that matter. I do listen to it all the time, but I don’t follow artists or anything like that. I simply listen to whatever sounds nice to my ears and repeat it over and over again. But these ladies, Lisa, Jisoo, Jennie, and Rosé (pictured below in order) have managed to get into my heart. So here are their songs listed based on how they’re grouped in AZlyrics and what I think about them.

From courtesy of YG Entertainment

Whistle (휘파람): I’m not sure if this is the very first song they recorded but it’s the first song I ever heard and I fell in love. Listening to it now their voices sounds different, maybe younger in a way, but they’re still distinct and I this song spreads the song in equal measure really giving the girls to show off their stuff. I also really like the beat to this one, it does change in places but I still overall lowkey, it doesn’t get my heart beating very fast is what I mean, and the whistling in the bridge and at various places in the song really tie things together for me. This song comes off as sexy and seductive. I think it’s a great mixture of the “black” and the “pink”.

Boombayah (붐바야): Now this song does get my heart pumping and makes me what to dance. A quick look at the lyrics will let you that that is the point, this is definitely a party song. On this one I feel like it more so belongs to Jennie and Lisa. I think it’s because Jisoo and Rosé’s voices feel like they get a little lost with the beat they used for this song. Not that the music drowns out their voices per se, all the singing is great in this song, but both Jennie and Lisa rap in this song and the beat under the rap really feels like it places it front and center while the music surrounds all of the singing (if that makes sense). This is another good one from them for me.

Playing With Fire (불장난): I find this one more similar to Whistle with it’s pleasant beat though it doesn’t spur me on to get up and dance. I think the music here complements the singing in a way that it lets it shine and stand out so it’s not just the rap verses that stand of for me. This one isn’t among my favorites of theirs to be honest, not one I play on repeat over and over but still pleasant.

Stay: This song belongs to Rosé and Jisoo. The soft guitar for this love song with the hand claps really works for those two. Similar to how I felt the song arrangement bolstered Jennie and Lisa’s parts of Boombayah here the music and the arrangement really help bolster the qualities of both Jisoo and Rosé. This is a very “pink” song lol. Jennie and Lisa do well in this song, though Lisa does get the shorter end of the stick, but Rosé and Jisoo just…shine! I really like this one.

DDU-DU DDU-DU: So this isn’t a bad song but…it really just doesn’t grab me the way the other songs do. Like…I like the beat, the drop is nice, there’s this…bass drop in the song that’s nice. When Rosé and Jisoo the music on their parts help their parts stand out. Jennie and Lisa are both great. But ultimately this song doesn’t do it for me sad to say. I just don’t really like it.

Forever Young: This is a nice song. I don’t want to dance to it but the beat is so nice here it makes me bob my head. It’s a bop. I don’t really have a lot to say about this one since, for me, it’s something I put on in the background. Nothing about it really…stand out for me, but it’s still very nice to listen to and play.

(Also, Jennie has started most of these songs so far, she was the first in the group to get a Solo song but like…come on :P)

Really: This is pretty smooth. This song gets me swaying a long and I feel like everyone has an edge to their voice this time around. Jennie and Lisa generally have an edge to their voices in most songs, but here I feel like Rosé and Jisoo also have more of an edge here than they’ve had in previous songs. Maybe it’s the theme of the song, demanding someone to express their love for you with words. It’s great! I like this style from them.

See U Later: The build-up of this song from the start to the first chorus is great. I think the beat is steady and it builds and builds which can mirror the girls’ frustrations with this person they’re dumping. Jisoo and Rosé’s singing came off as very frank in this song, not with the same edge as they had in Really but it’s still there. Also, the drop to the chorus isn’t like, huge or anything like that, but it’s got enough punch that the buildup feels warranted. This is another one I really like.

As If It’s Your Last (마지막처럼): This is another bop, poppy love song. Very “pink” so much so that Lisa’s rap verse kinda doesn’t…fit. But you know, this one is fine. It’s not too bad but I don’t really care for it.

(Wow, the two songs I called bops just aren’t for me huh. Maybe bops just aren’t blackpink’s thing or at least not what I like from them)

Kill This Love: Okay so, this is their new single and I love it to pieces. It’s got like a marching band beat, the horns in the beginning, and how it sounds at the end is amazing! I also really love Jennie’s “Brrram bah bah bah bah bah bah” she has, her voice kind of goes deep and it’s great! I also think this is another song that does a good job showing off Jisoo and Rosé’s talents. Jisoo here sounds so…like dark kind of while Rose sound’s a bit brighter but there’s still so much intensity in her voice. Everything is just so great here I don’t think I’ll ever get tired of it. Jennie and Lisa’s rap verse are great here as well, they do a little trade off for like four lines and they just work off each other very well. Everything about this song is amazing to me.

Don’t Know What To Do: This song has a light feeling to it. This song gets me dancing and feels popp-y to me. I also think that this is another song where Rosé and Jisoo’s vocals shine, especially Rosé’s voice. This song doesn’t have any rap verse so Jennie and Lisa’s vocals also shine here, more so for me than in other sings. I really feel like the girls have grown into their voices some more. It’s great. I could label this as a bop, one from them I really really like. Light, sweet, and very lovely.

Kick It: Hm…this is another song that isn’t back but it doesn’t really do anything for me. Maybe I find this particular beat too…same-y, low down without anything to really grab my attention. The singing here doesn’t even really do that for me either, they aren’t grabbing me like with their other sings. I don’t know.

Hope Not (아니길): This is a slow one, very pleasant to listen to. All of the voices hold a kind of sadness in them, it’s great. The slow guitar (I think) under the singing really brings out a melancholic tone for this one. It’s not one I listen to often but it’s still very good.

DDU-DU DDU-DU (Remix): I just like this one better than the original. I think the beat is better than the last one. Plus the chorus whined up is just more pleasing to listen to. Other than that I don’t have too much more to say.

Welp, there you have it, I didn’t talk about songs they were featured on or Jennie’s solo because I wanted to focus on the collective group’s work alone. If you’ve listened to BlackPink let be know what you like or dislike about them. What’s your favorite song? Why? What’s your least favorite? Why’s that?

I look forward to reading your comments! Thanks for reading!